Showing posts with label Analog Photography. Show all posts
Showing posts with label Analog Photography. Show all posts

Tuesday, March 08, 2011

Film vs. Digital (Again)

To say that digital is superior to film is an opinion; it depends on what you value and you cannot really prove it. Last night I developed three rolls of film. I still shoot film and value the way film responds to light. A digital sensor will only respond to light one way. Digital cameras only have one personality. A camera raw file is merely a data dump of what is on the sensor and that is the response of the sensor to light and that is the only way that camera will respond to light. You can tweek the camera settings but you cannot tweek the sensor.

A film camera will respond to light many different ways depending on the film in the camera. The latent image on exposed film is like a data dump of the reaction of the material to light. All the rest is post processing whether you are talking photoshop or D76. Film cameras have multiple personalities because there are different films available. I can say film cameras are superior to digital if I wanted; again based on my values and opinions that could be true. In the last two years Kodak has introduced two fine new films.

So, if your vision is best expressed with a plastic Diana, or a Speed Graphic, or a Nikon F6, or a Nikon D3; then that is the superior tool for you. I am glad the choices exist for us all. The analogy to painting vs. photography is apt. In fact I would even say it is even more like water colors vs. oil paints. They are both painting after all. But, how can you say which is superior? Because, after all, it is all about vision and converting that vision into an image and we all see things a little differently. In that context it matters less how you get that image and more that the tools let you do it.

~Steve

Tuesday, July 27, 2010

Why I still like film

I like film because I like film, that is reason enough after all. Since I am not photographing for an employer anymore; I owe nobody any more explanation than that. So, I still shoot slide film and black and white when I shoot trains.

What do I like about film? I like that slides are tangible, I can scan them to a 16 BIT Tiff and do everything with it I can do with a camera RAW file and still have my slide. Slides have value, you can trade and even sell them. I like the discipline of shooting film. I like not having to worry about dust on my sensor if I change lenses in the field. I like that if I want higher resolution I can rescan my slide again. I am not locked into the resolution of the camera. I like that I can use my camera even if the battery dies. I like not having to worry about recharging my camera.

I like the way film sees light. I like that I can change the personality of my camera by changing the film I put in it. I like that bright red railroad signals stay red and do not turn white if I am shooting into them with film. I also like the smell of film and the sound of a Nikon motor drive.

I like that once the picture is on the wall it really does not matter if it was shot in digital or analog anyway. So, even though I have and use a sweet digital camera, I find a lot to like when I shoot film. So, I still do.

Wednesday, March 03, 2010

Rain at SJSU

Tree Reflections

I love the way on a rainy day, looking down is looking up.

Tuesday, December 22, 2009

Winter in San Jose

Winter came to San Jose yesterday. The days are getting longer once again.

About the photo: This photo is shot on film, with a Nikon 105mm 2.5 lens (Ken Compton's old lens) on a N90S on Fuji 400 film exposed at 200. Click on photo to see a larger version.

Monday, December 14, 2009

Fall light, leaves and shadows



Behind Dwight Bentel Hall at SJSU, Fall 2009.

(Taken on Fuji 400 film, Nikon F3 camera. Click on photo to enlarge)

Monday, June 15, 2009

Bikes out of control at SJSU

Cyclist riding without hands at SJSU

Many of the people who ride bicycles on the sidewalks at SJSU do so in ways that risk serious injury to themselves and others. Cyclists riding with no hands are unable to take evasive action if a pedestrian, cart or disabled person steps into their path. Usually cyclists who ride like this way are not wearing helmets.

This bike position is especially prone to falling. These cyclists, as well as endangering others, risk head injuries that could kill them or leave them permanently disabled.

[My blog about human powered vehicles at SJSU]

[More photos of human powered vehicles on and around SJSU]

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Friday, May 15, 2009

I am still in love with film

Woman in Starbucks

I love shooting digital and the digital work flow. A digital camera is like a good friend that lets me make some great pictures, but I am still in love with film.

Film sees light in a totally different way. Film reacts to light organically. The light changes film, it is not like a digital sensor that responds to light as a result of programming. A film emulsion feels light and is unalterably chemically changed by light and that makes film different. Once it sees light the film is never the same again. The film holds that latent image and awaits its interpretation in development.

Once processed, those qualities can be scanned and brought into the digital world but that first reaction to light is unique. The tonal scale is not the same as digital. I love it and that is why I am still in love with and still shoot and still process film.

Everything else is a side show, to me. Film is the real deal; to me.

Since I only take pictures for myself, that is what matters to me.

Wednesday, March 18, 2009

My Dad's Old Speed Graphic

Colorful downtown cyclist

Pictures with my dad's Speed Graphic

Two years ago our house was burglarized and I lost all the cameras my dad had left me except for one, my dad's old Speed Graphic. It is a lovely camera with a sharp old Kodak (made in USA) Color Ektar lens. I have not used this old press camera in decades, but I remember it being as sharp as a tack. Lately I have started doing business with a local camera repair store, Kamera Korner, and the owner is an old camera repairman named Bob. Repair of old film cameras is becoming a dying art, literally. So I decided to get this camera made usable again. It took awhile, I heard stories from the other people in the shop about the work Bob was putting into the camera. After a month or so, it was ready.

The photo above is from the first roll with this camera.

Speed graphic camera

I have found an added bonus with using this camera. It is so unique, so retro looking, people love talking about it. That leads to conversations which leads to photo opportunities. When I look through the viewfinder, when I click the shutter, I am looking through the same viewfinder, clicking the same shutter my dad did fifty years ago. I think that is pretty cool! Plus it takes amazing photos. The picture here does not do it justice, it is so sharp, so true to color. It's amazing, we are talking around 60 mega pixels in digital equivalent, I have been told. It is knock your socks off sharp. Sometimes; older is better.

Monday, March 09, 2009

Thinking of Brian Baer

"Photojournalism Ends" sign on book shelf

Thinking of Brian Baer
Brian Baer, the best photographer I know, was just laid off from the Sacramento Bee today. This photo has been sticking in my head for awhile. When I heard of this amazingly talented photojournalist loosing his job as the Bee's political photographer, I thought of this image.

Brian is not a good photojournalist, he is a great one. He has got an eye for an image that literally changed my life and how I saw my own work. Even when he was a student at SJSU, he was that good. He still is, that good.

I remember when Sue and I walked through the Green Apple bookstore on New Year's Eve late last year, I loved perusing their collection of new and used photojournalism books. Then I came to this sign on the shelf and thought, "man ain't that the truth."

I had my old Nikon FE2 with me with a fast lens and fast film but it was low light so I steadied myself and made this photo. This image has stuck with me until now. Perhaps it is trite, after all it is merely sign art. But, when I heard of the Bee letting Brian go I thought of this photo and I thought, "man ain't that the truth."

When the industry gets so bad it spits out its best, where else is there to go? What else is there to think?

Wednesday, February 25, 2009

SJSU Spring Color

Blossoms at SJSU

Dreams of Spring
Every Winter I dream of California Spring, which typically starts in mid-Feb. That dream of Spring helps me get through the cold of Winter. This is my favorite time of year.

These blossoms are near Sweeny Hall at San Jose State University.

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Friday, February 20, 2009

SJSU Blossoms

SJSU Blossoms

The blossoms are returning to SJSU and with them my favorite time of the year. This photo was taken slightly over a week ago not far from the building I work in using a 32-year-old film camera, my Nikon F2. I love color negative film's ability to hold subtle detail in the highlights, like the translucent bright petals of this back lit blossom.

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